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DONNITHORNE 2019

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Francis, Henry S. ‘Two Drawings by Albrecht Dürer’. The Bulletin of the Cleveland Museum of Art 42, no. 1 (1955), pp. 35. http://www.jstor.org/stable/25142004.

FREEDBERG 1983 

Freedberg, Sydney J. ‘A Fugue of Styles: Roman Drawings of the Sixteenth Century’. Art Institute of Chicago Museum Studies no. 10 (1983), pp. 59-77. https://doi.org/10.2307/4104327. 

FOISTER AND VAN DEN BRINK 2021

Foister, Susan, and Peter van den Brink, eds. Dürer’s Journeys: Travels of a Renaissance Artist. Exhibition Catalogue. Aachen, Suermondt-Ludwig Museum; London, National Gallery. New Haven and London: Yale University Press, 2021.

FRIED 2020 

Fried, Michael. Painting with Demons: The Art of Gerolamo Savoldo. Reaktion Books, 2020. 

GILBERT 2003 

Gilbert, Creighton E. ‘Savoldo, Giovanni Girolamo’. Grove Art Online. 2003. https://doi.org/10.1093/gao/9781884446054.article.T076205.

GOGUEL 1985 

Goguel, Catherine Monbeig. ‘Drawings by Battista Franco in the Louvre’. The Burlington Magazine 127, no. 992 (1985), pp. 780-85. http://www.jstor.org/stable/882339.

GOULD 2003 

Gould, Cecil. ‘Titian’. Grove Art Online. 2003.
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GROTE 1998

Grote, Ludwig. Albrecht Dürer: Reisen nach Venedig. New York and Munich: 1998.

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HILL 2011 

Hill, Brad Sabin. ‘Hebrew Printing on Blue and Other Coloured Papers’. In: Treasures of the Valmadonna Trust Library: A Catalogue of 15th-Century Books and Five Centuries of Deluxe Hebrew Printing. Edited by David Sclar. London/New York: Valmadonna Trust Library, 2011. pp. 84-111; 164-168.

HILL 2021 

Hill, Brad Sabin. ‘M. L. Weiser: An Appreciation’. The Book Collector (2021), pp. 259-262. 

HILLE 2020 

Hille, Christiane. ‘Albrecht Dürer and the Tailoring of the Human Form’. Res: Anthropology & Aesthetics 73/74, no. 1 (2020), pp. 10-22.

HILLS 1999 

Hills, Paul. Venetian Colour: Marble, Painting and Glass, 1250–1550. New Haven: Yale University Press, 1999. 

HILLS 2002 

Hills, Paul. ‘Interpreting Renaissance Color’. In The Italian Renaissance in the Twentieth Century: Acts of an International Conference, Florence, Villa I Tatti June 9-11, 1999. Edited by Allen J. Grieco, Michale Rocke, and Fiorella Gioffredi Superbi. Florence: Leo S. Olschki Editore, 2002, pp. 337-352. 

HIRST 1981 

Hirst, Michael. Sebastiano del Piombo. Oxford: Clarendon Press, 1981. 

HUMFREY 2003 

Humfrey, Peter. ‘Carpaccio family’. Grove Art Online. 2003. https://doi.org/10.1093/gao/9781884446054.article.T014258.

HUMFREY, LEHMANN-BROCKHAUS, HAWKINS, BAUER-EBERHARDT 2003 

Humfrey, Peter, Ursula Lehmann-Brockhaus, Lucinda Hawkins, and Ulrike Bauer-Eberhardt. ‘Bellini family’. Grove Art Online. 2003. https://doi.org/10.1093/gao/9781884446054.article.T007643

HUMFREY, CLIFFORD, WESTON-LEWIS, AND BURY 2004

Humfrey, Peter, Timothy Clifford, and Aidan Weston-Lewis. The Age of Titian: Venetian Renaissance Art from Scottish Collections. Exhibition Catalogue. National Galleries of Scotland, Edinburgh. Edinburgh: National Galleries of Scotland, 2004.

JENKINS, ORENSTEIN, AND SPIRA 2019 

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JEAN-LUC BARONI LTD. 2009 

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J. PAUL GETTY MUSEUM 2021 

J. Paul Getty Museum. ‘Andrea Schiavone (Andrea Meldolla)’. https://www.getty.edu/art/collection/artists/2991/andrea-schiavone-andrea-meldolla- italian-about-1510-1563/

LENDERING 2004 

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LIVY, MOORE, OBSEQUENS, SAGE 2020 

Titus Livius (Livy), Frank Gardner Moore, Iulius Obsequens, and Evan Taylor Sage. History of Rome 7, Books 26-27. Cambridge: Harvard University Press, 2020. 

MARCIARI 2018 

Marciari, John. Drawing in Tintoretto’s Venice. Exhibition Catalogue. New York, The Morgan Library & Museum. London: Paul Holberton Publishing, 2018. 

MARCIARI 2020 

Marciari, John. ‘“Drawing in Tintoretto’s Venice”: Marginal Notes to an Exhibition’. Artibus et Historiae no. 81 (2020), pp. 237-252. 

MARMOR 1996 

Marmor, Max, ‘Back to the Drawing Board: The Architectural Manual of Sebastiano Serlio (1475-1544)’. The Yale University Library Gazette 70, no. 3/4 (1996), pp. 115-125. 

MAXON 1962 

Maxon, John. ‘A Sheet of Drawings by Carpaccio’. The Art Institute of Chicago Quarterly 56, no. 4 (1962), pp. 62-64. http://www.jstor.org/stable/4120417

THE METROPOLITAN MUSEUM OF ART 2021

The Metropolitan Museum of Art. ‘The Arrest of Christ’. https://www.metmuseum.org/art/collection/search/338889 

MORRALL 2011 

Morrall, Andrew. ‘6. Dürer and Venice’. In The Essential Durer. Edited by Larry Silver and Jeffrey Chipps Smith. Philadelphia: University of Pennsylvania Press, 2011, pp. 99-114. 

MUSEO NACIONAL THYSSEN-BORNEMISZA 2021 

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THE NATIONAL GALLERY 2021 

The National Gallery. ‘Lorenzo Lotto’. https://www.nationalgallery.org.uk/artists/lorenzo-lotto

NATIONAL GALLERIES OF SCOTLAND 2021 

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NATIONAL GALLERIES OF SCOTLAND 2021 

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NATIONAL GALLERIES OF SCOTLAND 2021 

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NEUFELD 1966 

Neufeld, Gunther. ‘Michelangelo’s Times of Day a Study of Their Genesis’. The Art Bulletin 48, no. 3/4 (1966), pp. 273-84. https://doi.org/10.2307/3048386.

NICHOLS 2003 

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NICHOLS 2015 

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NOBLE 2006 

Noble, Bonnie. ‘Albrecht Dürer and the Venetian Renaissance’. Review of Albrecht Dürer and the Venetian Renaissance by Katherine C. Luber. Renaissance Quarterly 59, no. 2 (2006), pp. 581-583. https://muse.jhu.edu/search?action=search&query=author:Bonnie%2520Noble:and&min=1&max=10&t=query_term.

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PERKINSON 1996 

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Pincus, Debra. ‘Giovanni Bellini’s Humanist Signature: Pietro Bembo, Aldus Manutius and Humanism in Early Sixteenth-Century Venice’. Artibus et Historiae 29, no. 58 (2008), pp. 89-119.

PINO 1548 

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POPHAM 1971 

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POPHAM AND WILDE 1949 

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DAL POZZOLO AND PUPPI 2015

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PRIMEAU 2013 

Primeau, Thomas. ‘Colouring Within the Lines: The Use of Stencils on Early Woodcuts’. Art in Print 3, no. 3 (2013), pp. 11-16.

REARICK 2004 

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RICHARDSON 1980 

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RICHARDSON 2003 

Richardson, Francis L. ‘Schiavone, Andrea.’ Oxford Art Online (2003), pp. 1-5. https://doi.org/10.1093/gao/9781884446054.article.T076521

RIDOLFI 1648 

Ridolfi, Carlo. Le maraviglie dell’arte: overo Le vite degli’ illustri pittori veneti e dello stato. [1648] Edited by Detlef F. von Hadeln, 2 vols, Berlin, 1914–24.

ROBISON AND SCHRÖDER ET AL. 2013 

Robison, Andrew, and Klaus Albrecht Schröder, et. al. Albrecht Dürer: Master Drawings, Watercolors, and Prints from the Albertina. Exhibition Catalogue. National Gallery of Art, Washington D.C.; Albertina, Vienna. Washington, D.C. and Munich: National Gallery of Art; Delmonico Books, Prestel, 2013. 

RODETIS 1997 

Rodetis, George A. ‘El Greco’s statements on Michelangelo the Painter’. The Journal of Aesthetic Education 31, no. 3 (1997), pp. 25-37. 

RUGGERI 1993 

Ruggeri, Ugo. ‘Due nuovi disegni di Tiziano’. Studies in the History of Art 45, Symposium Papers XXV: Titian 500 (1993), pp. 84-99. 

SACHET 2017 

Sachet, Paolo. Exploiting Antiquarian Sale Catalogues, New Sources for Book History, Conference, The British Library, 2017.

SERLIO 1996 

Sebastiano Serlio (1475-1544). The Yale University Library Gazette 70, no. 3/4 (1996), pp. 115- 125. 

SHELLEY, DUNN, AND MCPHEE

Shelley, Marjorie, Ashley Dunn, and Constance McPhee. ‘How is a Drawing Made?’The Materials and Techniques of Drawings and Prints. Department of Drawings and Prints, Metropolitan Museum of Art.

SMITH AND DÜRER 1979 

Smith, Alistair, and Albrecht Dürer. ‘Germania’ and ‘Italia’ Albrecht Dürer and Venetian Art’. Journal of the Royal Society of Arts 127, no. 5273 (1979), pp. 273-90. http://www.jstor.org/stable/41372911

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Sotheby’s. ‘The Jeffrey E. Horvitz Collection of Italian Drawings/Lot 7’. https://www.sothebys.com/en/auctions/ecatalogue/2008/the-jeffrey-e-horvitz-collection- of-italian-drawings-n08408/lot.7.html?locale=en.

SPIRA, ZANIS, AND MUSTALISH

Spira, Freyda, Liz Zanis, and Rachel Mustalish. ‘What is Printmaking?’The Materials and Techniques of Drawings and Prints. Department of Drawings and Prints, Metropolitan Museum of Art.

STRAUSS 1974

Strauss, Walter L. The Complete Drawings of Albrecht Dürer: Volume 2: 1500–1509. 6   volumes. New York: Abaris Books, 1974.

TANZI 2004 

Tanzi, Marco. I Campi. Milan: 5 Continents Editions, 2004.

TEMPESTA 2019 

Tempesta, Setfano Martinelli. ‘The Wanderings of a Greek Manuscript from Byzantium to Aldus’ Printing House and Beyond’. Edited by Giancarlo and Stephen Harrison. Harvard. 2019: pp. 195-211.

THOMPSON 2009 

Thompson, Wendy. ‘An Unknown Portrait Series by Battista Franco’. Print Quarterly 26, no. 1 (2009), pp. 3-18. http://www.jstor.org/stable/43826044

TURNER 2007 

Turner, Nicholas. ‘A Proposal for El Greco as a Draftsman’. Master Drawings 45, no. 3, Drawings in Spain and Portugal (2007), pp. 291-324. 

UNIVERSITӒT REGENSBURG 2021 

Universitätsbibliothek Regensburg. ‘Die Anbetung der Heiligen Drei Könige’. https://www.uni- regensburg.de/bibliothek/koenige/marienleben/anbetung/index.html

VAN VELZEN 2018

Van Velzen, S.T.J. ‘The universe between felt and wire: A new look into the typology of Western paper’. PhD Dissertation. University of Amsterdam, 2018. 

VASARI 1966-1969 

Vasari, Giorgio. Le vite de’ piú eccellenti architetti, pittori, et scultori. Edited by Rosanna Bettarini and Paola Barocchi. 10 vols, Florence: Sansoni, 1966–1969.

VERDIGEL 2020 

Verdigel, Genevieve. ‘Bartolomeo & Benedetto Montagna and the role of the graphic arts in Vicenza, c.1480-1520’. PhD diss., University of London, 2020. 

WESTFALL 1969 

Westfall, Carroll W. ‘Painting and the Liberal Arts: Alberti’s View’. Journal of the History of Ideas 30, no. 4 (1969), pp. 487-506. https://doi.org/10.2307/2708606

WILLIAMS 2020 

Williams, Megan K. ‘Paper in the Piazza: The Late Medieval and Early Modern Trade in Venetian Paper’. In Typical Venice?: the Art of Commodities: 13th-16th Centuries. Edited by Ella Beaucamp and Philippe Cordez, pp. 159-169. Turnhout: Harvey Miller Publishers, 2020. 

WIVEL, JOANNIDES AND BARBIERI 2017 

Wivel, Matthias, Paul Joannides, and Costanza Barbieri. Michelangelo & Sebastiano. Exhibition Catalogue. National Gallery, London. London and New Haven: National Gallery Company Limited and Yale University Press, 2017.

WYSHAK 2000 

Wyshak, Robin Marie. ‘What Knockers! Italian Bronze Doorknockers, Mainly Renaissance. A Study in Functional Sculpture’. PhD Dissertation. University of California, Santa Barbara, 2000. 

ZUFFI 1991 

Zuffi, Stefano. Giovanni Bellini. Arnoldo Mondadori Arte. 1991. 

Compiled by Georgia Dougherty. Edited by Alexa McCarthy.